Photo picked up from a junk shop. On the back written in pencil– “Whiz + Flo Lee Platinum Blondes”.
People of Interest
MT Peters
Jesus Demonstrates The Curve Ball Grip
1983
Silkscreen on paper
26″ x 18.5″
Numbered 40/40
Matthew F. Fisher‘s further representations of roguish ennui are coming to Mulherin + Pollard, April 26 – June 10, 2012 here in New York City. This drawing is from Fisher’s previous body– anonymous soldiers in various acts of AWOL, apathy and benign adventuring.
Matthew F. Fisher
Title Unknown
20–
Pencil on paper
A shelf in my studio– coprolite, a sherd from Gozo, toy cars with crushed plastic lemon and rabbit skull, and other debris.
Robert “Bad Bob” Ecker
Dust Devil
1975
Mezzotint
2.5″ x 2.25″
One pair of pretty nails are for sale at Earcandy a group jewelry show at Alloy Gallery in Newport Rhode Island. The show was co-curated by Miss Kendall Reiss and Mariah Tuttle.
Robert “Bad Bob” Ecker
Western Saga #2: Two Ladies from Wallace Meet The Larimer Street Gang and Try To Settle Their Differences
1971
Etching on rag paper
15.5″ x 15.5″
Numbered 1/50
For Rosario (Rose Thorn Pendant)
2011
Pendant: Sterling silver, fine silver, red bronze
.75″ x .75″ x .25″
Private Collection
The constellation-like patterns linking corresponding moles in this commercial by CANADA of Barcelona, remind me of the dot tattoos on one of my favorite people: Ötzi the Iceman. A gruesome comparison to be sure; the only photos of him are of his mummy. Not to mention imagining him in tights— Regardless: fascinating creatures all, and in the example below aided by CANADA and cinematographer Marc Gómez del Moral‘s erotic montages.
SILENCI? (A) from MGdM | Marc Gómez del Moral on Vimeo.
Yesterday I had the pleasure of visiting Nicolette Camille‘s Greenpoint, Brooklyn studio. Tucked away in a neighborhood of industrial garages, gutters, and aromas, behind a corrugated steel fence, Nicolette’s studio is an olfactory oasis. I am amazed by what she can do with a pair of scissors– Her arrangements are stunning. This bouquet was sitting just so when I arrived unannounced; a simultaneously pretty and masculine perfection worthy of a Dutch Golden Age still life.
